SEPTEMBER | OCTOBER 2008
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  Ryerson University
350 Victoria Street,
Toronto, Ontario, Canada
M5B 2K3


Program Administrator
RCC-311
Phone 416-979-5000, ext 2674

Email:
gradppcm@ryerson.ca
 
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TORONTO, ONTARIO: www.toronto.com

Toronto has a thriving photography and arts community. There is a wide range of exhibitions in the city's many museums, archives, libraries, commercial galleries, and parallel (non-profit) exhibition spaces. A number of these public institutions house extensive photographic collections - for example, the Metropolitan Toronto Public Library, Metropolitan Toronto Archives, Archives of Ontario, and Art Gallery of Ontario - which would provide material for course work as well as placement opportunities for the program's internships. In addition to various lecture series, conferences, and symposia, there is an annual photography festival, Contact, which sponsors exhibitions, conferences, and workshops, and attracts international curators, critics, and photographers to the city.

ROCHESTER, NEW YORK: www.visitrochester.com

Rochester has long been the centre of photographic industry and education, and possesses the world’s highest concentration of resources for research and teaching in the area of photographic preservation. Nearly every practicing photographic conservator, curator, and archivist throughout the world has, over the past two decades, taken advantage of Rochester for its unique learning opportunities.
The city has a wide range of arts and cultural institutions on which this program can draw to enhance the curriculum. The historians, educators, curators, scientists, and archivists working at the Visual Studies Workshop, the Rochester Museum and Science Center, the Rochester Institute of Technology (including its Image Permanence Institute), the Rochester City Archives, and the Susan B. Anthony House enjoy a close working relationship with GEH staff. Thus students in this program will have access not only to enormous groups of photographs collected for different cultural and historic reasons, but to professionals with many years of experience in the field of photographic history, archival practices, conservation, and preservation science. These collections can provide suitable material for internship projects, and staff from these and other local institutions can also serve as guest lecturers, adjunct faculty, and project supervisors for students.

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