frenchhomeintroductionhistoryFebruary 1st



 










SPEAKERS

BAL, Alex
BARDINI, Thierry
CHATONSKY, Grégory
CONESA, Jean-Claude
COTE, Mario
CZEGLEDY, Nina
DANIELS, Steve
DUBOIS, Jean
ELDER, R. Bruce
EPOQUE, Martine
FISCHER, Hervé
FLEISCHER, Alain
GARDNER, Paula
JOOSSE, Angela
LaBELLE, Guillaume
LANGILL, Caroline
MATHIEU, Marie-Christine
NOLAN, Jason
OUELLET, Pierre
PALMIERI, Christine
PAPON, Frédéric
POISSANT, Louise
POULIN, Denis
PRUSKA-OLDENHOF, Izabella
RODIONOFF, Anolga
SLOPEK, Edward
SNYDER, Don
TREMBLAY, Pierre
VAN ALSTYNE, Greg









Angela Joosse
PhD candidate, Communication & Culture, York University/Ryerson University. Currently teaching part-time at the School of Image Arts, Ryerson University.

- Conference Video

Angela Joosse holds a Master’s degree in Communication and Culture joint from York and Ryerson, B.F.A. in Film Studies from Ryerson, and B.A. in Philosophy and Fine Art from Calvin College. Her current doctoral project focuses on the intersection of aesthetics, technology and the human body. Angela has contributed to the recent publication, Image and Territory: New Essays on Atom Egoyan (2007), edited by Monique Tschofen and Jennifer Burwell. She is also a Toronto-based film and video artist. Her recent projects include Shapes Eat Shapes (2006), and 4C (2005). She recently completed two collaborative art installation projects: Collect My Junk, a special fifth anniversary project for the 2007 Alley Jaunt festival; and Film-Lab-Digestive-Track an interactive installation held at the Ryerson Gallery in August 2007. She is an active member of the L.O.T. collective, as well as the LOOP collective of independent media artists in Toronto.

Experience, Real Bodies, Real Space
The following panel ( Elder, Joosse, Pruska-Oldenhof) consists of three coordinated presentations that work together and subject some of the themes of recent writings on virtual space and telepresence to critical scrutiny. Angela Joosse will talk about Steve Mann and space, tracing his ideas of the virtual back to the excitement felt by the early twentieth century artists in relating their ideas of a new space, the "new man", and a new, electric and dynamic art to Dziga Vertov's theories.